BIOGRAPHY -

… with lovely, daring phrasing she created
a passionate glow and a contagious espressivo.
Fyens Stiftstidende
Brilliantly convincing. There is greatness, sonority, and breadth in
her music.
Fyens Stiftstidende
Exploring and commissioning new works for duo ensembles mark much of violinist
Pia Liptak’s
current performing work. She performs in duo ensembles of violin and piano,
Japanese koto and
violin, and two violins. With Canadian-American pianist Sylvie Beaudette
she forms the Liptak-
Beaudette Duo. The duo’s activities focusses upon music by Scandinavian
and Canadian
composers featured in the series “Nordic Harmonies”. The group also
has an extensive
repertoire of American music. Pia’s work with Japanese koto player, Ryuko
Mizutani, in the
Duo vio-LINK-oto, has produced a number of new compositions
written and dedicated to this
ensemble. The artists appear together on two CDs, "Vista" and "Ice
Flowers",
and performs widely,
including a residency at the University of Hawaii in February 2007. The Legno
Duo brings
together the musicianship of violinists Margaret Leenhouts and Pia Liptak.
The two performers
enjoy presenting a wide range of repertoire from Baroque to contemporary
music often flexibly
expanding the instrumentation to quartet and quintet combinations. Pia is
the currently the
concertmaster of the University of Rochester Symphony Orchestra and
also has a private teaching
studio.
Through her sensitive and beautiful music making she is capable of continuously
capturing her audience. Fyns Amts Avis
EDUCATION
Pia earned two graduate Diploma degrees as a double major in violin and piano
at the Carl
Nielsen Academy of Music in her native Odense in Denmark. She also holds
a Doctor of Musical
Arts degree in violin performance and literature from the Eastman
School of Music, graduating in
1992. Among her teachers were Catherine Tait, Palle Heichelmann, Arthur Feldthusen,
and
Rosalind Bevan. During the time of her studies, she attended master classes
throughout Europe,
including the Lake District Summer Music in England, L’Academia Chigiana
in Siena, Italy, Die
Hochschule für Music in Vienna, Austria, and string programs at the Meadowmount
(New York), and
Encore (Ohio) schools. Pia had masterclasses with and was coached by artists
including Sylvia
Rosenberg, Arve Tellefsen, Chilingirian String Quartet, and The Israeli Trio.
She spent one full
year in Oslo, Norway, studying with the renowned pianist Robert Riefling,
sponsored in part by
the Danish-Norwegian Foundation.
When Pia plays Bach one suddenly becomes aware of relationships
between form and the composer’s
expressive imagination. BCN. Amts Avisen
PREVIOUS PERFORMANCE
Prior to her relocation in the USA in 1998, Pia served as the concertmaster
of the Danish string
ensemble Den Fynske Sinfonietta and was a member of the Odense Symphony
Orchestra, the Sønderjyllands
Symphony Orchestra, the Harlequin Ensemble, and a founding member of Trio
la Corda. She has
performed extensively with a large variety of chamber music ensembles working
with standard
chamber music repertoire, music for violin and organ, Baroque music with
period instruments,
and contemporary music; she has appeared as a soloist with orchestra; and
frequently performed
as a piano accompanist. Her performances have included concerts in Italy
(Rome), Scandinavia,
Poland, England, Germany, Russia (Moscow and St. Petersburg), Spain, Minnesota
(St. Paul),
California (San Francisco), and throughout New York State.
… quite uncompromising music making. Fyens Stiftstidende
TEACHING
The richness of interchange between performing and teaching has always been
an essential key
in Pia’s work. For more than two and a half decades, she has been teaching
both privately and at
music institutions that include several years at the Odense Music School.
She is currently a faculty member at the Hochstein
School of Music and Dance. Pia has presented lectures and workshops at colleges and conferences,
and performed in schools encouraging an
understanding of music among children of all ages. On many occasions, she
has had the
opportunity to adjudicate youth competitions including the Steinway Festival
in Odense, the
Rochester Philharmonic Youth Symphony Orchestra’s Concerto Competitions,
the University of Rochester
Symphony Orchestra’s Concerto Competitions, and the SUNY Geneseo’s
Young Artists Competition. She
has also served as the administrator of concerts and public relations at
the Carl Nielsen Academy of
Music.
She brings a wider vision to her field by her many
intellectual pursuits.
Catherine
Tait
AWARDS AND HONORS
Among many grants and honors, Pia has received support from the Danish Cultural
Ministry and
State Music Council, the Rochester Arts & Cultural Council/New York Foundation
for the Arts, the Chapin
Grant, the Knud Højgaards Fond, the Augustinus Fond, the Jacob Gade
Travel Stipend, the Fulbright
Foundation, and the Denmark-America Fond. At 16, she received first prize
at the Berlingske Music
Competition in Copenhagen. On three occasions, she was granted month-long
stays for
research projects at San Cataldo in Southern Italy, a center for Danish scientists
and artists.
… a skillful performer, a thorough scholar and an imaginative
and sensitive artist.
Catherine Tait
Raised in Denmark, with some years spent in Switzerland, Pia’s travels
and studies in Europe and the USA has included extended time in Norway and
Italy. She now resides in Rochester, New York, with her husband, composer
David Liptak, and daughter Carena.
She played with “unheard-of” effect and strength. She sings on
her violin with
constantly varied colors of sound. The first movement … was performed
with a very
beautifully played elegiac melody, and it developed - after robust dance
rhythms - into
a great liberated song, fresh and unsentimentally played. She gave great
humoristic
effect to the second movement that grew to almost infernal turmoil… It
is something
vivid, varied, and very alive that characterizes her playing, securing
that the audience
is always captivated.
Fyens Stiftstidende |